2L-059 Goran SjolinMarianne ThorsenDa - Treble Bass KLEIBERG concertos 2009 [FLAC-24-96]

Marianne Thorsen is widely known for her recording of MOZART violin concertos with TrondheimSolistene. Now she demonstrates what beauty that lies in the Violin Concerto of our classical contemporary composer Ståle Kleiberg. Göran Sjölin brings the sonic qualities of the double bass into new light, and both solo concertos are supported by a widely staged Trondheim Symphony Orchestra in an exceptional surround sound recording.

Ståle KLEIBERG: Concerto for Violin and Orchestra / Concerto for Double Bass and Orchestra
If we seek a stylistic reference point for Kleiberg's music, it is perhaps not fanciful to refer to its recovery of certain qualities that we associate with northern Europe during the first half of the twentieth century. Composers as different as Sibelius, Nielsen and Vaughan Williams all established unique dialogues with central European and French modernists, but in ways that allowed for a tone of lofty idealism, even at times of frank romanticism that was unavailable to the modernists themselves. Kleiberg seems to continue and to extend dialogues of this kind. He has never been a slave to fashion, but it is striking that the neo-romanticism that is his most natural mode of expression, has once again become a part of our general culture.

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曲目:

1-Concerto for Violin and Orch
2-Concerto for Violin and Orch
3-Concerto for Violin and Orch
4-Concerto for Double Bass and
5-Concerto for Double Bass and
6-Concerto for Double Bass and



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Kleiberg - Treble & Bass Concertos
克莱伯格 小提琴协奏曲和低音提琴协奏曲


Kleiberg, Stale (1958-)[挪] 斯特勒·克莱伯格

小提琴:玛丽安娜·索尔森 Marianne Thorsen,
低音提琴:戈兰·斯约林 Goran Sjolin
Daniel Reuss/Trondheim Symfoniorkester,
丹尼尔·罗伊斯/特隆赫姆交响乐团

Release Date: 6th Jul 2009
Label: 2L
Catalogue No: 2L59
Length: 50 minutes
2L 59
DDD

    玛丽安娜·索尔森因与特隆赫姆交响乐团的独奏家（Trondheim Solistene）合作录制莫扎特小提琴协奏曲（2L-38）而广为人知。现在，她展示了挪威当代作曲家斯特勒·克莱伯格《小提琴协奏曲》中的美丽。戈兰·斯约林将低音提琴的声音品质带入了新的境界。这两首协奏曲均由特隆赫姆交响乐团以卓越的环绕声录音提供支持。

    斯特勒·克莱伯格的小提琴协奏曲和低音提琴协奏曲
    若要为克莱贝格的音乐寻觅一个风格参照点，提及他对某些特质的重拾或许并非无稽之谈，这些特质会让我们联想到 20 世纪上半叶的北欧。西贝柳斯、尼尔森和沃恩・威廉姆斯等风格各异的作曲家，都与中欧和法国的现代主义者展开了独特对话，且方式上尽显崇高的理想主义基调，即便在坦率的浪漫主义时期亦是如此，而这种浪漫主义是现代主义者自身所欠缺的。克莱贝格似乎在延续并拓展这类对话。他从不盲目追随时尚，引人注目的是，新浪漫主义作为他最自然的表达方式，再度融入了我们的主流文化。

Contents

01-03  Concerto for Violin and Orchestra            [25'19]
       小提琴协奏曲
  I. Introduzione - Allegro                                        7:08
     引子-快板
  II. Adagio                                                                8:48
      柔板
  III. Finale - Allegro                                                  9:23
       终曲-快板

04-06  Concerto for Double Bass and Orchestra  [25'35]
           低音提琴协奏曲
  I. Andante                                                               9:39
     行板
  II. Adagio                                                                6:54
      柔板
  III. Finale - Allegro                                                  9:02
       终曲-快板